Friday, March 18, 2022

The Witch's Knight - SOON TO BE RELEASED!! - by Paula and Trevor Brackston

 


ARC Review - Scheduled Release Date - April 19, 2022

The Witch's Knight by Paula and Trevor Brackston

“I, Rhiannon, pledge you my allegiance, my dagger hand, my magic, and my life.

You have my oath.”

Do you enjoy stories about witches and knights in armor? You should read this book. Medieval historical fiction? You should read this book. Eternal love? Read this book. Modern suspense thriller? Yep. This book.

The Witch’s Knight, by Paula Brackston and her brother, Trevor, is an exhilarating departure from Paula’s wildly successful Witch’s and Found Things series. This collaborative work adds a thrilling new dimension which Paula’s already dedicated readers will love. (I certainly did!) Trevor’s voice adds a rumbling bass line of suspense and danger in counterpoint to Paula’s soaring sopranos of magic and romance. Dare I say this work is “magical?”

When Gwen’s home in The Black Mountains of Wales is attacked by vicious Norman baron, De Chapelle, in 1094, following William the Conqueror’s invasion of England, she confronts the baron, defending her family and village from further depredation. No match for the villainous Norman, Gwen picks a battle she cannot hope to win. He turns her own knife against her and leaves her for dead.

The few survivors of the attack desperately retreat to a small farming croft high in the mountains and carve out a meager and isolated, yet peaceful, existence. Gwen is nursed back to health and the tiny community – widows, wounded soldiers from her father’s court, orphans – becomes a family. The village grandmother, Mamgi, tutors Gwen in the art of witchcraft, encouraging her to use her abilities to protect the settlement. Gwen protects their crops and livestock from the worst of the weather and lends her skills to healing the sick.

After surviving their first winter tucked away in the Black Valley, the displaced villagers choose a small party to travel to a nearby town for much needed supplies and news. Gwen, now known as Lady Rhiannon, and two of the men track carefully into town, intent on making their trades and leaving as quickly as possible. That plan goes awry when Gwen is recognized by one of de Chappelle’s men. A traveling knight comes to her rescue and is wounded in the melee. One of the men is taken captive while the other narrowly escapes with the supply wagon.

Gwen’s savior is Tudor. While he heals, and as he is slowly accepted by the wary villagers, the two become inseparable. When de Chappelle eventually finds them, Tudor is mortally wounded in defense of the village and Gwen pleads with ancient powers to spare his life. Thus sparking a love which will transcend the limits of time and span centuries.

 

“Tudor watched her go, wondering at the way the world had a habit of spinning like a roulette wheel, snatching you onto familiar numbers at the most unexpected of times.”

 

In modern day London, Rhys Tudor is an ex-military private security contractor responsible for the safety of a nineteen year-old rich kid. When his employers purchase a posh flat in The Aurora, an extremely exclusive building, for their son, Tudor is diligent about protecting his charge. Not long after moving his ward into his new digs, a series of grisly murders take place, annihilating two entire families in the building. Suddenly, Tudor and his daughter, Emily are swept up in a terrifying whirlwind of Slavic gangsters, fighting off assailants and dodging bullets. Despite his connections with the Metropolitan Police, Tudor is unsuccessful at ferreting out the reason why he or his daughter would be targets for the mafia-like Begovich family. His quest for clues and the safety of his daughter, leads him to strange and unusual ends where coincidences and happenings are unnerving, even for a hardened soldier like Tudor.

Told as two seemingly separate stories, through two seemingly unrelated timelines, The Witch’s Knight weaves together disparate characters and incongruous eras in a beautiful dance to the final page when the two worlds eventually, finally, collide. The Brackstons hurtle their readers through time and space, never letting up on the throttle, until the last gasp, quite literally the last four paragraphs of the book. My only complaint with this work is purely selfish. I need Book Two (and Three!) to be ready for consumption. I need to know more!


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