ARC Review - Scheduled Release Date - April 19, 2022
The Witch's Knight by Paula and Trevor Brackston
“I,
Rhiannon, pledge you my allegiance, my dagger hand, my magic, and my life.
You
have my oath.”
Do you enjoy stories
about witches and knights in armor? You should read this book. Medieval historical
fiction? You should read this book. Eternal love? Read this book. Modern
suspense thriller? Yep. This book.
The Witch’s Knight,
by Paula Brackston and her brother, Trevor, is an exhilarating departure from
Paula’s wildly successful Witch’s and Found Things series. This collaborative
work adds a thrilling new dimension which Paula’s already dedicated readers
will love. (I certainly did!) Trevor’s voice adds a rumbling bass line of
suspense and danger in counterpoint to Paula’s soaring sopranos of magic and
romance. Dare I say this work is “magical?”
When Gwen’s home in The Black
Mountains of Wales is attacked by vicious Norman baron, De Chapelle, in 1094,
following William the Conqueror’s invasion of England, she confronts the baron,
defending her family and village from further depredation. No match for the villainous
Norman, Gwen picks a battle she cannot hope to win. He turns her own knife
against her and leaves her for dead.
The few survivors of the
attack desperately retreat to a small farming croft high in the mountains and
carve out a meager and isolated, yet peaceful, existence. Gwen is nursed back
to health and the tiny community – widows, wounded soldiers from her father’s
court, orphans – becomes a family. The village grandmother, Mamgi, tutors Gwen
in the art of witchcraft, encouraging her to use her abilities to protect the settlement.
Gwen protects their crops and livestock from the worst of the weather and lends
her skills to healing the sick.
After surviving their
first winter tucked away in the Black Valley, the displaced villagers choose a
small party to travel to a nearby town for much needed supplies and news. Gwen,
now known as Lady Rhiannon, and two of the men track carefully into town, intent
on making their trades and leaving as quickly as possible. That plan goes awry
when Gwen is recognized by one of de Chappelle’s men. A traveling knight comes
to her rescue and is wounded in the melee. One of the men is taken captive while
the other narrowly escapes with the supply wagon.
Gwen’s savior is Tudor. While
he heals, and as he is slowly accepted by the wary villagers, the two become
inseparable. When de Chappelle eventually finds them, Tudor is mortally wounded
in defense of the village and Gwen pleads with ancient powers to spare his
life. Thus sparking a love which will transcend the limits of time and span
centuries.
“Tudor
watched her go, wondering at the way the world had a habit of spinning like a
roulette wheel, snatching you onto familiar numbers at the most unexpected of
times.”
In modern day London,
Rhys Tudor is an ex-military private security contractor responsible for the
safety of a nineteen year-old rich kid. When his employers purchase a posh flat
in The Aurora, an extremely exclusive building, for their son, Tudor is
diligent about protecting his charge. Not long after moving his ward into his
new digs, a series of grisly murders take place, annihilating two entire
families in the building. Suddenly, Tudor and his daughter, Emily are swept up in
a terrifying whirlwind of Slavic gangsters, fighting off assailants and dodging
bullets. Despite his connections with the Metropolitan Police, Tudor is
unsuccessful at ferreting out the reason why he or his daughter would be
targets for the mafia-like Begovich family. His quest for clues and the safety
of his daughter, leads him to strange and unusual ends where coincidences and
happenings are unnerving, even for a hardened soldier like Tudor.
Told as two seemingly
separate stories, through two seemingly unrelated timelines, The Witch’s
Knight weaves together disparate characters and incongruous eras in a
beautiful dance to the final page when the two worlds eventually, finally,
collide. The Brackstons hurtle their readers through time and space, never
letting up on the throttle, until the last gasp, quite literally the last four
paragraphs of the book. My only complaint with this work is purely selfish. I
need Book Two (and Three!) to be ready for consumption. I need to know more!
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